The Nature of Evil in William ShakespeareÂs Othello Essay -- William

William Shakespeares Othello uses different and peculiar techniques in his language to express the nature of evil throughout the play. communicatory twists and the functions most importantly stress the act of evil. Iago, most of all is envisioned as the villain or protagonist in the play. Shakespeare uses this character to clique the basis of evil. Each while point is spiraled further into tragedy collectable to the nature of Iago and his manipulative language towards the other main characters.Corruption overcomes the Venetian parliamentary procedure as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he tell aparts is the perfect example of evils nature. The power struggle is seeming(a) between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of playing like one courteous and kne e-crooking knave like he unendingly appears to be I. i. 46. Since Iago is reluctant to choose to be a master, he is the consideration that bites off the fame and keep to date their hearts attending on themselves, silent showing his service to his master but instead is more self-preserving with no attachments at all towards the master I. i. 52. Irony is used diligently in Shakespeares unique language style.Referred by Othello as honest Iago, the derision is very evident in this title. Iago is everything but honest but this proves how intimately led and manipulated Othello is. The traits Iago possess are unexpected to a normal villain. He comes across as charming and smart, he can also be referred to a wolf in sheeps clothing. For example, he knows Roderigo is in love with Desdemona and figures that he ... ...or a most attractive, popular, good-natured, charming, selfish, cold-blooded and utterly unscrupulous scoundrel. (pp. 333-34) Grant Studies in Shakespeare, Houghton, Miffl in and Company, 1886, pp. 205 This excerpt further explains Iagos nature being exactly how Shakespeare mean yet a little different than what the average reader would deal of him. The nature of evil is strictly evident as the play comes to an end, yet it is viewed as an opinion or a theory whether Iago is truly evil. Ironically, Iagos words speak louder than his actions, proving how legitimate Shakespeares use of language for the character was. This dynamic use of language is significant because it can alter the survey of the reader whether Iago was truly evil or just using war machine tactics to better him. Iago and his use of language set the main plot for every characters outcome.