Tuesday, December 3, 2019
Luciano Pavarotti by Luciano Pavarotti free essay sample
Some of the most accomplished tenors canââ¬â¢t hit a high Câ⬠¦think about singing one at the age of 70. Luciano Pavarotti had a career that lasted five decades until his last performance when he was 70-years-old. He accomplished this longevity by keeping his technique and vowel placement in supreme condition. Also, the author of Was Pavarotti Still a Good Singer, Michelle Tsai, said he only sang arias that felt comfortable for his voice and didnââ¬â¢t strain to sing something that didnââ¬â¢t fit right. After years of bel cantare (beautiful singing), the unfortunate, and inevitable wear down of the body brought Pavarotti to his downfall. Tsai has a genuine and accurate understanding of what it takes to sing opera. She notes that, ââ¬Å"The vocal foldsââ¬âmuscles that rapidly open and close as we speak or singââ¬âget stronger, as do the muscles that support them in the chest, abdomen, neck, and back. We will write a custom essay sample on Luciano Pavarotti by Luciano Pavarotti or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page â⬠Most non-opera singers arenââ¬â¢t taught to utilize these muscles. In order to sing to the back corners of an opera house, support is crucial and technique is what decides if a singerââ¬â¢s career will last until they are 40 or 70-years-old. Pavarotti was a legend. His voice sounded bright, supported, powerful, and beautiful; he never strayed from his technique. When singing ââ¬Å"Nessun Dormaâ⬠from Pucciniââ¬â¢s opera Turandot, he hits high Cââ¬â¢s so effortlessly, on the outside he seems sanguineâ⬠¦as if conversing with a neighborhood friend. What audience members donââ¬â¢t detect is his body always working, always supporting, and always thinking about how to produce the sound. Opera singers are true athletes. Although on the outside, some seem incapable to run to the mailbox and back, their core strength is what matters. They need to have the inner strength of boxer, but the elegant, whimsical nature of a figure skater. The four main sections of the body are always engaged and thinking ahead to put the necessary embellishments on the voice: chest, back, abdomen, and neck. Both sexes need this training, but the differences between men and womenââ¬â¢s vocal chords are immense. The vocal technique between a woman and a man isnââ¬â¢t too different, but for a woman to hit the higher notes, they require more activity in the vocal chords. Tsai states, ââ¬Å"During a tenorââ¬â¢s high C, his vocal folds close about 500 times a second; for a sopranoââ¬â¢s high C, the rate is about 1,300 times each second.â⬠The soprano more than doubles the vocal activity, which leads to more women needing to resign from opera and an earlier age. But, sopranos ge nerally reach their prime about five to ten years before a tenor does. In his 60ââ¬â¢s, Pavarotti was a phenomenal singer, but he couldnââ¬â¢t compare to his younger self. ââ¬Å"The vocal folds start to weaken eventually,â⬠as Tsai points out which, Pavarotti had to succumb to. He was the prime example that strong support and vocal technique can lead an aspiring singer through a long career and keep the voice healthy. Pavarotti WAS still a good singer and truly mastered the art and technique of opera.
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